visual vibrations

We recently caught up with the artistic director of Yves Delorme, Evelyne Julienne, to find out the inspiration behind the new collections.



The first collection, Kacho-Ga, she told us, came from a desire to capture the 'image and dramatisation' of the bird and the flower, in the style of Japanese Ukiyo-e painters. The gesture of the paintbrush has been replaced by the art of the needle.



The second collection, Losange, was built around a desire to organise materials, by means of a play on the construction of geometric shapes, and by 'exploiting the rhythms of different visual vibrations'. The colour palette evokes mineral matter.

 

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